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Henning Lohner (born 17 July 1961) is a German-American composer, video artist, and filmmaker.〔Who’s Who in the World 2005, New Jersey 2004, p.1318.〕 He is best known for his film scores written as long-standing member of Hans Zimmer’s music cooperative Remote Control Productions. Lohner's creative output embraces diverse fields within the audio-visual arts. Regarded as one of the most notable contemporary German film composers, he has written award-winning scores to various international films, among them ''The Ring 2'' and ''Incident at Loch Ness''.〔http://musikgespraeche.de/?p=44〕〔http://www.palebluesoundtracks.com/catalogue/soundtracks/〕〔http://www.morgenpost.de/printarchiv/politik/article109172210/Kopfnoten.html〕 Additionally, he has authored documentaries and art films, and has gained international recognition as creator of the ''Active Images'' media art projects.〔http://www.galeriespringer.de/category/artist-of-the-gallery/lohner-carlson/〕 ==Background and education== Born to German emigrant parents, Henning Lohner was raised near Palo Alto, California, where his father Prof. Dr. Edgar Lohner taught Comparative Literature at Stanford University and his mother Dr. Marlene Lohner taught German Literature. Lohner has one brother, Peter, who is a lawyer turned writer-producer for film and television.〔http://www.imdb.com/name/nm0517896/〕 Lohner returned to Germany to study musicology, art history, and Romanic languages at Frankfurt University, from which he graduated as Master of Arts in 1987.〔http://www.moderecords.com/profiles/henninglohner.html〕 In 1982, he took a year at the Berklee College of Music in Boston, studying Jazz Improvisation with Gary Burton and Film Scoring with Jerry Goldsmith and David Raksin.〔http://www.globart.at/en/portfolio/henning-lohner/〕 In 1985, Lohner was awarded a grant for music composition at the ''Centre Acanthes'' to study with Greek composer Iannis Xenakis, who became his lifelong mentor.〔Interview with Xenakis, Computer Music Journal 10, Nr.4 1986, p.48-53; Xenakis and the UPIC, Computer Music Journal 10, Nr.4 1986, p.42-47; Xenakis Werkliste und Auswahlbibliographie, MusikTexte 13, 1986, p.50-59.〕 Parallel to his academic studies, Lohner became assistant to German composer Karlheinz Stockhausen in 1984; Lohner was introduced to the visual media working on Stockhausen’s opera ''Licht'' at La Scala in Milano.〔Stockhausen-Stiftung für Musik, "(Karlheinz Stockhausen - Complete List of Works )"〕 Subsequently, he worked in France in 1989 as musical advisor and assistant director to Louis Malle on the film ''May Fools'' (1990) starring Michel Piccoli.〔http://www.moderecords.com/profiles/henninglohner.html〕 Apprenticeships on Steve Reich’s multi-media oratorio ''The Cave'' (1990) and with Giorgio Strehler on his theater project ''Goethes Faust I + II'' (1990-1992) followed.〔http://ifsdurres.al/henning-lohner-master-class-the-pivotal-role-that-the-composers-plays-to-a-film〕 Due to his commitment to contemporary music and avant-garde filmmaking, Frank Zappa became aware of Lohner; subsequently, Lohner collaborated with him until Zappa’s death in 1993, initializing and co-producing Zappa’s last albums ''The Yellow Shark'' (1992) and ''Civilization Phaze III'' (1993).〔Barry Miles: Zappa a Biography, New York 2004, p. 368; Michael Gray: Mother! The Frank Zappa Story, London 1993, p. 232.〕 He paid homage to Zappa with the biographical art film ''Peefeeyatko'' (1991), to which Zappa himself contributed the original score.〔http://www.imdb.com/title/tt0167330/fullcredits〕 Lohner lives and works in Los Angeles, New York City and Berlin. He is a Visiting Professor at the Zurich University of the Arts in Switzerland. Lohner is a member of the European Film Academy and the German Film Academy.〔https://www.europeanfilmacademy.org/Members.44.0.html〕〔http://www.deutsche-filmakademie.de/deutsche-filmakademie/mitgliedschaft/unsere-mitglieder/mitgliederliste.html〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Henning Lohner」の詳細全文を読む スポンサード リンク
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